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SDG

162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.

SDG

1:00	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.

SDG

1:19	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Organ		11	0	0	4	100%
		9	0	1	4	50%
		14	0	1	4	100%
C Trumpet		9	0	0	4	100%
English Horn		9	0	0	4	100%
Flute		9	0	0	4	100%
Oboe		9	0	0	4	100%
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		14	0	1	4	100%
Violin		9	0	0	4	100%
Contrabass		9	0	1	4	50%
Viola		7	0	0	4	50%
Violoncello		9	0	1	4	50%
Soprano		2	0	0	1	10%
		2	0	0	1	10%
		2	0	0	1	10%

Silent Night. Tikhaya Noch. Тихая ночь. Franz Gruber. Russian like version with Basso Profundo. Arrangement: Gertim (SDG)

SDG

1:25	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	0	6	100%
Tenor		10	0	0	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	0	6	100%
Tenor		10	0	0	6	100%
Tenor/Bass		11	0	0	6	100%
Bass		3	0	0	6	50%

Paschal Lamb, by God appointed, Hyfrydol, Bakewell, Prichard. Come thou long expected Jesus.

SDG

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	5	100%
T B		10	0	1	5	100%
Bass		5	0	0	2	11%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	5	100%
T B		10	0	1	5	100%
Bass		5	0	0	2	11%

286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.

SDG

1:22	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

10. Der Tag mit seinem Lichte, Schemelli, Bach, BWV 448.

SDG

1:21	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	6	5	100%
Tenor/Bass		22	1	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	6	5	100%
Tenor/Bass		22	1	7	5	100%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		21	0	4	3	100%
		21	0	4	3	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	4	3	100%
Contrabass		15	0	2	3	53%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
Contrabass		19	0	5	4	52%
Bass		4	0	0	2	20%
Tenor		4	0	0	2	16%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
Contrabass		17	0	4	3	50%
Tenor		2	0	0	2	4%

44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
Contrabass		15	0	5	5	50%
Soprano		2	0	0	1	11%

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